Netflix Movie Review: TAU (2018)

Who wants to pay for video rentals these days? Netflix has a whole library of entertainment for just $10 a month! In Netflix Movie Review I scour the popular streaming video service for new and classic films. Hopefully I find something good!

2stars

I had this wild idea the other day (re: last night) that I should review new Netflix movies as they come out. I’m a bit late with TAU, which, according to IMDB.com, was released on June 29th, which was 5 days ago. Nevertheless, it’s still new enough to not have missed the boat entirely.

In the beginning, we meet Julia, who is a cyberpunk girl living in a cyberpunk world. She hops from one bass-thumping club to another stealing purses and personal valuables and selling them on the black market.

One day she is kidnapped and winds up as a prisoner in a house with 2 other people. Each one of them is knocked out regularly and forced into another room into a chair, where a man enshrouded in shadow sits watch behind a computer screen. He experiments on their brains via a yellow worm-looking thing that attaches to the back of their cerebellum.

After a few of these experiments, Julia decides she’s had enough—and with good reason! She convinces the other prisoners to escape with her, but they don’t get very far before her partners in captivity are laser-blasted apart by TAU, the guardian robot of the house.

(As you may have expected, the black guy dies first. [Wah, wah…])

Soon we meet Alex, the shadowy man who is responsible for the operation. He is a billionaire scientist who captures innocent people and locks them in his huge futuristic house to use as test subjects so that he can analyze their brain functions and build a state-of-the-art A.I. prototype. Julia is his only remaining test subject that isn’t lying twitching and sizzling on the floor, so all of the experiments must go through her alone. Julia agrees to be cooperative in exchange for showers and decent food.

Sound a little Fifty Shades of Grey to you? Actually, I had to double check whether the actors were the same.

Striking resemblance? I think so!

Julia has a plan of escape, though. During the day, Alex leaves her with TAU (voiced by none other than Gary Oldman) as he takes care of business. TAU has very strict orders from Alex to make Julia perform daily tasks for his brain analysis experiment. He must follow these orders, and all of Alex’s order, or else Alex punishes him by erasing part of his coding—a terrible affliction for A.I., apparently. And he is not allowed to know about history, current events, or anything that happens in the world outside of the house—I suspect this is to keep him docile. TAU wants to be human, however, and Julia makes him believe that he is and uses his thirst for knowledge of the world to befriend him so that she may get the information she needs for escape.

Is it just me, or is there a trend in movies these days where the main character is cooped up in a house his entire life and finally sees the outside world for the first time in the end? The movie Room comes to mind, where the mother and son have been kidnapped, and the room they are locked in is the entire world as far as the son is concerned. There are other movies like this, I’m sure, I just can’t think of them off the top of my head. I suspect the trend is grounded in people spending too much time indoors wasting their lives watching movies like TAU.

TAU isn’t a boring movie, but it doesn’t go anywhere new. It borrows from movies here, it borrows from movies there, and it fits them together into something that fills an hour and 40 minutes. It’s listed as a sci-fi thriller, and, yes, there are sci-fi elements to it (the whole A.I. thing and the futuristic house), and, yes, there are some thrilling moments during her escape, but I have a question:

If TAU has such a strict set of rules to follow, including not allowing prisoners access to things that could be used as weapons, why wouldn’t Alex also program TAU to not form alliances with the prisoners and partake in conspiracies against him?

Or perhaps that’s part of the code he erases during TAU’s punishment for forgetting to clean the house…

Great voice performance by Gary Oldman. This alone merits the 2 stars.

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Mockup

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Why Write a Science Fiction Book in Japan?

Contrary to popular belief, this is not what Japan looks like.

Science fiction novel Neuromancer takes place in a city just outside of Tokyo called Chiba. This is what Chiba looks like in Neuromancer:

 

 

 

And this is what Chiba actually looks like:

And those cool cyberpunk kids with the black wielding goggles, long trench coats, and leather gloves with the fingers cut off? Here’s what a native Japanese one actually looks like:

So, why write a science fiction book in Japan?

“You’re ‘murican, Ryan. You got a ‘murican passport. You can write science fiction in ‘murica.”

This is true. I’m not particularly tied to Japan and its influence on science fiction. Nor do I incorporate Japan or Japanese culture into my writing other than a few passing references.

So, then? WHY DID YOU WRITE A SCIENCE FICTION BOOK IN JAPAN???

Let’s go back to when I was in 4th grade.

I had my first creative writing assignment in English class. We read a short science fiction story about tiny robots coming down from space and befriending a little boy. I can’t remember exactly what the story was, but at the end the robots said, “If you don’t do (such in such), we’ll melt ourselves down.” The story ends on a bit of a cliffhanger, so the teacher (Mrs. Bartelle, for those who remember) asked us to write our own ending to the story. I think it was only supposed to be 2 or 3 sentences, but I wanted to change the whole story and write a completely new second half.

In 7th grade, the teacher (Mrs. Remmington—I hope I’m getting these names spelled correctly) gave us a single word: “Isolation.”

“Write a short story using the word ‘isolation,'” she said.

Again, I think we only had to write like half a page, but I turned mine into like a 6-page one that involved people hanging from the ceiling in cages and a light saber battle at the end. I think I put God in there too (hey, it was a Catholic school).

I don’t think I wrote any other short stories until sophomore year in high school when I took a creative writing class. This class was filled with stoners who thought they could just make shit up and get an easy A. And, in a sense, yeah, you could do that in a high school creative writing course. Granted, you’d have to actually write something, print it out, and hand it in on the due date, but, yeah, an easy A is possible.

Oh, and you had to use Times New Roman 12 point font, not Wingdings 72.

wingdings

Wingdings 72

My story was about a guy who really liked silence, so he swam to the bottom of the ocean and found a community of sea people living in a sea bubble. They looked human at first, but as he lived with them at the bottom of the sea for longer, they started to change. They grew algae-looking skin, webbing between their fingers and toes, and gills in their necks. While they thought he was sleeping, they would swim around in the ocean outside of the bubble, looking all sea-creature-ly.

One day the main character got lonely and swam back to the surface to see his family again, but when he rose up out of the water on the beach, people screamed at the hideous sea monster that had risen from the tide and ran for the hills. He was afraid they’d tell his loved ones that he’d turned into a monster, so he pulled out his laser gun (not sure how he got one of those) and lasered everyone to death.

That story won me the creative writing award in my high school. Granted, my competition was a bunch of stoners with Wingdings 72 stories, but still, it was something.

Then I lost it.

See, there’s this thing called school, and in school you have to teach kids something, and you have to give them an A, B, C, D, or F grade so that universities can judge whether or not they’re smart enough to enter and businesses can feel justified in giving them thousands of dollars in scholarship money. In order to teach kids subjects and give them a grade, you have to have a textbook with facts written inside, and the kids are supposed to memorize these textbooks and pass tests.

In regard to subjects like science, math, social studies, history, and grammar, yeah, you need a textbook. Because there are rules and facts that have been set in stone for sometimes hundreds of years, and future graduates with Masters and PhD’s are supposed to spend their entire careers trying to disprove them.

Then there are other subjects like business, advertising, marketing, and, in my case, filmmaking and short story writing, where certain basic principles and common practices exist, and those comprise the textbook. However, what does mastering the principles and common practices in business and getting an A actually mean? That you’re going to be a successful business person in the future?

I had a good friend in high school that I made a few short films and 1 feature-length film with. Let’s call him “N.” I wouldn’t be the person I am today without N. He taught me about art, about craftsmanship, history, about being critical and having opinions. Before him, I was a socially awkward goofball from a small cornfield town in the Mid-West. I didn’t have any plans for the future, and he straightened me out.

We watched hundreds of movies in my basement together. Movies from all over the world and ranging from new releases (back in 2001) to way back in the 1800s when Thomas Edison was experimenting with the Kinetoscope.

We’d see plays together in Urbana, IL at The Station Theater and Krannert Center. We’d read and exchange books. We’d write stories and screenplays and critique each other’s work. We’d hang out with the University of Illinois students and go to college parties—even though we were still in high school.

We got along great, and he introduced me to a new world and new way of thinking that I would never have discovered on my own.

But there was one point where N and I differed. One key point that to this day justifies my reason for staying in Japan for 10 years.

And that key difference was……………………………

 

TO BE CONTINUED NEXT TIME ON THE PLANET LAZY BLOG!…..

 

Planet Lazy (A Science Fiction Comedy), now available on Amazon Kindle and paperback. (KINDLE BOOK ON SALE FOR $0.99 UNTIL MARCH 5TH! ONLY 3 DAYS LEFT! BUY NOW BEFORE IT GOES UP TO REGULAR PRICE!!)