Netflix Movie Review: TAU (2018)
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I had this wild idea the other day (re: last night) that I should review new Netflix movies as they come out. I’m a bit late with TAU, which, according to IMDB.com, was released on June 29th, which was 5 days ago. Nevertheless, it’s still new enough to not have missed the boat entirely.
In the beginning, we meet Julia, who is a cyberpunk girl living in a cyberpunk world. She hops from one bass-thumping club to another stealing purses and personal valuables and selling them on the black market.
One day she is kidnapped and winds up as a prisoner in a house with 2 other people. Each one of them is knocked out regularly and forced into another room into a chair, where a man enshrouded in shadow sits watch behind a computer screen. He experiments on their brains via a yellow worm-looking thing that attaches to the back of their cerebellum.
After a few of these experiments, Julia decides she’s had enough—and with good reason! She convinces the other prisoners to escape with her, but they don’t get very far before her partners in captivity are laser-blasted apart by TAU, the guardian robot of the house.
(As you may have expected, the black guy dies first. [Wah, wah…])
Soon we meet Alex, the shadowy man who is responsible for the operation. He is a billionaire scientist who captures innocent people and locks them in his huge futuristic house to use as test subjects so that he can analyze their brain functions and build a state-of-the-art A.I. prototype. Julia is his only remaining test subject that isn’t lying twitching and sizzling on the floor, so all of the experiments must go through her alone. Julia agrees to be cooperative in exchange for showers and decent food.
Sound a little Fifty Shades of Grey to you? Actually, I had to double check whether the actors were the same.
Striking resemblance? I think so!
Julia has a plan of escape, though. During the day, Alex leaves her with TAU (voiced by none other than Gary Oldman) as he takes care of business. TAU has very strict orders from Alex to make Julia perform daily tasks for his brain analysis experiment. He must follow these orders, and all of Alex’s order, or else Alex punishes him by erasing part of his coding—a terrible affliction for A.I., apparently. And he is not allowed to know about history, current events, or anything that happens in the world outside of the house—I suspect this is to keep him docile. TAU wants to be human, however, and Julia makes him believe that he is and uses his thirst for knowledge of the world to befriend him so that she may get the information she needs for escape.
Is it just me, or is there a trend in movies these days where the main character is cooped up in a house his entire life and finally sees the outside world for the first time in the end? The movie Room comes to mind, where the mother and son have been kidnapped, and the room they are locked in is the entire world as far as the son is concerned. There are other movies like this, I’m sure, I just can’t think of them off the top of my head. I suspect the trend is grounded in people spending too much time indoors wasting their lives watching movies like TAU.
TAU isn’t a boring movie, but it doesn’t go anywhere new. It borrows from movies here, it borrows from movies there, and it fits them together into something that fills an hour and 40 minutes. It’s listed as a sci-fi thriller, and, yes, there are sci-fi elements to it (the whole A.I. thing and the futuristic house), and, yes, there are some thrilling moments during her escape, but I have a question:
If TAU has such a strict set of rules to follow, including not allowing prisoners access to things that could be used as weapons, why wouldn’t Alex also program TAU to not form alliances with the prisoners and partake in conspiracies against him?
Or perhaps that’s part of the code he erases during TAU’s punishment for forgetting to clean the house…
Great voice performance by Gary Oldman. This alone merits the 2 stars.
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